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Many of my family members and relatives have done it,” he says. “Thailand is always the main destination for the Burmese. The character of the young woman is partially drawn from the real-life experience of the director’s sister, while the young man works at a textile factory, which was the first job of his brother in Thailand.
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“The tragedy lies with the man’s wish to return to Myanmar, but the woman who is more ambitious wants to earn a better living overseas,” says Midi Z. But their love is doomed as they begin their new lives as immigrants in Bangkok. The story follows a young couple who meet while smuggling themselves into Thailand. While his previous films have addressed the above issues in one way or another, The Road To Mandalay features a more prominent love theme. The main characters are Burmese-Chinese who speak the Chinese Yunnan dialect, like Midi Z himself.Īccording to the director, the Burmese believe there are three ways to escape poverty, “One is to become a drug smuggler, one is to work in the jade mines and the third is to smuggle yourself into another country.” The Road To Mandalay is the sole Chinese-language narrative film playing at Venice this year. His last two films, Ice Poison (2014) and documentary City Of Jade (2016), premiered at the Berlin International Film Festival. The Road To Mandalay marks the first outing at the Venice Film Festival (Aug 31 - Sept 10) for Myanmar-born, Taiwan-based director Midi Z, whose reputation is fast on the rise.